Rouslam Botiev standing outdoors in Lisbon

Oirat-Mongolian painter and sculptor in Lisbon

Rouslam Botiev ink, coffee, red wine.

Rouslam Botiev is an Oirat-Mongolian painter and sculptor based in Alfama, Lisbon, working across ink, watercolor, coffee, red wine, and Mongolian script.

Born in 1963, Botiev has lived and worked in Lisbon since 2002. His atelier is on Travessa de São João da Praça, near the old streets of Fado.

Drawn between Mongolian memory and Alfama.

These works show Botiev’s world in a few gestures: Alfama streets, Oirat-Mongolian memory, fast ink lines, and the warm stains of coffee and red wine.

Featured cow composition painted with coffee and red wine by Rouslam Botiev
Featured woman and bowl composition painted with coffee and red wine by Rouslam Botiev
Featured colorful Lisbon city watercolor by Rouslam Botiev
Featured purple blossom and figure work by Rouslam Botiev

Alfama in a fast black line.

In these works, Lisbon is not only a subject. It becomes movement: steep streets, tiled façades, Fado shadows, and figures caught quickly by the hand.

Faces held close to the hand.

Botiev’s portraits feel immediate because the drawing never disappears. The ink, stain, and color keep the face close to the first gesture.

Coffee, wine, script, and memory on paper.

Botiev’s practice carries several lives at once: Soviet-era training, Oirat-Mongolian language and script, years of teaching, and the everyday materials of Lisbon.

Coffee and red wine.

Coffee and red wine are not decorative effects. They are Lisbon materials: domestic, bodily, temporary, and capable of turning paper into something aged, stained, and lived-in.

Script as image.

His background in philology appears through Old Mongolian script, where writing becomes gesture, signature, and visual rhythm.

Pessoa and the self.

Portuguese literary figures, especially Fernando Pessoa, open a space for portraits of fractured identity, memory, and displacement.

City and monument.

Lisbon streets, Catholic monuments, animals, and public works are filtered through a fast line shaped by academic training and calligraphic movement.

Rouslam Botiev working in his Alfama atelier
Rouslam Botiev with a black ink drawing

An Alfama atelier with the memory of an old pharmacy.

His working atelier on Travessa de São João da Praça carries the memory of the old Farmácia Nacional, now filled with drawings, paper, coffee, wine, and conversation.

The door stays close to the street. Visitors encounter quick portraits, names written in Mongolian script, coffee and wine entering the painting, and the work seen close to the hand that makes it.

Ink Figure, horse, portrait, movement.
Coffee Warmth, shadow, aged paper.
Wine Stain, ritual, deep red.

From early training to the streets of Alfama.

Botiev's life joins philology, Soviet-era art training, sculpture, teaching, Oirat-Mongolian heritage, and more than two decades of work in Lisbon.

Portrait of Rouslam Botiev holding a drawing

Birth

Rouslam Botiev was born on May 5, 1963. He is Oirat-Mongolian.

Philology

He completed a Bachelor of Arts in philology, grounding his visual practice in language, script, and cultural memory.

Sculpture and painting

He studied sculpture and painting with the master Stepan Botiev, building the disciplined draftsmanship that remains visible in his fast portraits and architectural works.

University training

He continued advanced practice connected to the Universities of Rostov and St. Petersburg.

Lisbon

He moved to Lisbon in 2002 and established his permanent atelier in Alfama, where Mongolian memory and Portuguese subjects meet. In Portugal, he has continued teaching sculpture and painting while developing his own body of work.

From street display to institutional recognition.

Botiev's path in Portugal moves from informal public display in Lisbon to academic libraries, cultural centers, religious-history commissions, and institutional exhibition contexts.

Selected Exhibitions

  • 2002 · Cascais, Jardim da Luz
    The Jangar Warriors and Buddhism.
  • 2010 · Library of the Faculty of Letters, University of Lisbon
    Man, Cosmos and Myths.
  • 2010 · Évora
    Watercolors on religious orders in Portugal.
  • 2010 · Calouste Gulbenkian Foundation
    Featured in a major Portuguese cultural institution.
  • 2011 · Centro Cultural
    No tempo de Fialho de Almeida.
  • 2015 · Faculty of Letters, University of Lisbon
    Approaches to Orpheu.

Sculpture and Commissioned Work

  • Portugal religious orders
    A commissioned series of 20 watercolors on Catholic orders, monuments, and historical memory.
  • 2002 · Murça, private garden
    The Sow with Raised Head.
  • 2003 · Murça, Parish Church
    Our Lady.
  • 2003 · Murça, private garden
    The Ram.
Rouslam Botiev shopfront and atelier entrance in Alfama

Visit Botiev’s atelier in Alfama.

Moved a few meters. The atelier that used to be in the former Farmácia Nacional is now at this nearby location. If you visited the old shop before, use this address and map.

Neighborhood Alfama, near Clube de Fado.
Works Paper, ink, coffee, red wine, portraits, mythic figures, and monument studies.
Atelier His working space on Travessa de São João da Praça carries the memory of the old Farmácia Nacional, now filled with drawings, paper, coffee, wine, and conversation.